List Of Works

for all scores, recordings, or to commission a new work contact Sarah

Orchestral & Choir

sundance (2021) for SSAATTBB choir
Commissioned by The Choir of Trinity College, Melbourne. First performed in May 2021 at Trinity College Chapel, The University of Melbourne. Conducted by Christopher Watson

Celesta Concerto (2018) for solo celesta and chamber orchestra
Written for Sutthi Sutton and the Sydney Conservatorium of Music Modern Music Ensemble. First performed in June 2018, Sydney Conservatorium of Music, NSW. Conducted by Daryl Pratt

Flint (2018) for chamber orchestra
Written for the Australian Youth Orchestra National Music Camp 2018. First performed March 2018, Elder Hall, Adelaide, SA

Decadence (2017) for orchestra
Commissioned by Ensemble Nouveau. First performed at Grace and Elegance: Schubert 5 May 2017, Sydney Conservatorium of Music, NSW. Conducted by John Keene

Slumber Song (2016) for SSAA choir and piano
Written for Gondwana Advanced Treble Choir (Gondwana Voices and Gondwana Pilbara Project Choirs) and Sally Whitwell (Piano). First performed at Gondwana National Choral School 2016, Macquarie University, Sydney, NSW

Chamber

core (2020) for trumpet, double bass and piano
Written for Dave Elton and Will Hansen. Recorded at Trackdown Studios in August 2020.

striking out (2019) for pierrot ensemble
Written for Ensemble Offspring as a part of their 2019 Hatched Academy Summer School program. First performed in December 2019 at ESCAC Darlinghurst, NSW.

untitled (2019) for vocal octet
Commissioned by The Song Company for their November ‘19 tour ‘Nineteen To The Dozen’.
First performed in October 2019 at the Utzon Room, Sydney Opera House, NSW.

big blue (2019) for bassoon, viola, and piano
Written for the New Music on The Point Festival 2019. First performed in June 2019 at Salisbury Congregational Church, Vermont, US.

Undone (2019) for soprano, violin, and piano
Commissioned by the inaugural Women In Music Festival 2019.
Written for Plexus Collective and Deborah Cheetham. Text by Stephanie Millett. First performed at Storey Hall, RMIT, March 2019, Melbourne, VIC.

Bixler 225 (2018) for amplified ensemble
Written for SPIRAL (flutes, piano, wurlitzer, electric guitar, electric bass, and double bass). First performed at SPIRAL Rupture June 2018, Sydney Conservatorium of Music, NSW

Recognate (2018) for flute, violin and piano
Commissioned by Nimbus Trio (VIC). First performed at the Adelaide Fringe Festival March 2018, Elder Hall, Adelaide, SA

Refracted (2017) for pierrot ensemble
Written for the Atlantic Music Festival Contemporary Ensemble 2017. First performed at Colby College, Maine, US.
Conducted by Nicholas Koo

Can You Hold For One Moment? (2017) for violin, viola, bassoon and piano
First performed in May 2017, Sydney Conservatorium of Music, NSW

“So It Happened Like This” (2016) for tenor Saxophone, baritone Saxophone and trumpet
Commissioned for the 2016 Vivid Festival Sydney, as a featured artist in “Sound Gardens: New Music at the Con”. First performed in June 2016, Sydney Conservatorium of Music, NSW

When The Ice Melts… (2016) for bass clarinet in Bb, harp and percussion
First performed at Rejuvenation May 2016, Sydney Conservatorium of Music, NSW

Through Stained Glass (2016) for brass quintet (trumpet 1, trumpet 2, french horn, trombone, bass trombone)
Written for Paragon Brass.

String Quartet No. 1 “First” (2016) for string quartet
Commissioned by the Briar String Quartet. First performed at Composer’s Concert April 2016, Richmond, VIC

Surge (2015) for flute, oboe and percussion
First performed in May 2015 at the Sydney Conservatorium of Music, NSW

Dragonfly (2015) for open keyboard instrumentation
First performed by ensemble onsombel at Y N O H P Y L O P June 2016, Sydney Conservatorium of Music, NSW

Solo/Duo

so close (2021) for violin and electronics
Written for Nicholas Bentz (US)

retreat (2020) for oboe and organ
Commissioned by the Bowral Autumn Music Festival. First performed by Mikaela Sukkar (oboe) and Simon Nimenski (organ) in March 2021 at St Jude’s Church Bowral, NSW

sanddollar (2020) for solo vibraphone
Written for Matthew Stiens (US) at the San Fransisco Conservatory in Jan 2020

i’ll meet you there (2019) for bass trombone and piano
Commissioned by Rhys Oldham. First performed in November 2019 at the Sydney Conservatorium of Music.

Tiny Little Specks (2018) for bass flute and electric guitar
Commissioned by Hannah Reardon-Smith and Liam Flenady of Kupka’s Piano. First performed at Migrations - Kupka’s Piano December 2018, Brisbane, QLD

When Words Fail (2018) for flute and pre-recorded electronics
Written for Keiko Murakami (JP/FR). First performed at Madeira Residency December 2018, Ponta Do Sol, Madeira, PT

Pink Salt (2018) for solo piano
Commissioned by Huizi Zhang (US). First performed at Carnegie Hall Commissioning Project September 2018, at Weill Recital Hall, Carnegie Hall, New York, NY

Dark Matter (2017) for solo double bass
Written for Will Hansen. First premiered at SPIRAL - concert 1 March 2017, Red Rattler, Marrickville, NSW

The Music Box (2017) for solo vibraphone and electronics
Commissioned by Brad Gill of Sideband. First performed at Sideband: Continents April 2017, Enmore, NSW

ii (2017) for solo small gong
Commissioned by Claire Edwardes. First performed at Backstage Music July 2017, Sydney, NSW

Every Contour (2016) for solo suspended cymbal
Written for Claire Edwardes (Artistic Director of Ensemble Offspring)

Woodlands (2016) for solo guitar
Written for a workshop with guitarist/ood specialist Nathan Fisher (US) at the Sydney Conservatorium of Music, NSW

Fragments (2015)  for solo violin
First performed by Mishi Stern at lost +sound pop + up i August 2018, San Telmo Studios, Sydney, NSW

Riven (2015) for solo piano
Written for Calista Tam. First premiered in October 2015 at the Sydney Conservatorium of Music, NSW