List Of Works

Orchestral & Choir

sundance (2021) for SATB choir
Commissioned by The Choir of Trinity College, Melbourne. First performed in May 2021 at Trinity College Chapel, The University of Melbourne. Conducted by Christopher Watson

Celesta Concerto (2018) for solo celesta and chamber orchestra
Written for Sutthi Sutton and the Sydney Conservatorium of Music Modern Music Ensemble. First performed in June 2018 at the Sydney Conservatorium of Music, NSW. Conducted by Daryl Pratt

Flint (2018) for chamber orchestra
Written for the Australian Youth Orchestra National Music Camp 2018. First performed in March 2018 at Elder Hall, Adelaide, SA.

Decadence (2017) for orchestra
Commissioned by Ensemble Nouveau. First performed in May 2017 at Grace and Elegance: Schubert 5 at the Sydney Conservatorium of Music, NSW. Conducted by John Keene

Slumber Song (2016) for SSAA choir and piano
Written for Gondwana Advanced Treble Choir (Gondwana Voices and Gondwana Pilbara Project Choirs) and Sally Whitwell (Piano). First performed in Jan 2016 at Gondwana National Choral School, Sydney, NSW

Chamber

core (2020) for trumpet, double bass and piano
Recorded at Trackdown Studios in August 2020.

striking out (2019) for pierrot ensemble
Written for Ensemble Offspring as a part of their 2019 Hatched Academy Summer School program. First performed in December 2019 at ESCAC, Darlinghurst, NSW.

untitled (2019) for vocal octet
Commissioned by The Song Company for the ‘Nineteen To The Dozen’ tour.
First performed in October 2019 at the Utzon Room, Sydney Opera House, NSW.

big blue (2019) for bassoon, viola, and piano
Written for the New Music on The Point Festival. First performed in June 2019 at Salisbury Congregational Church, Vermont, US.

Undone (2019) for soprano, violin, and piano
Commissioned by the Women In Music Festival 2019. Winner of the Emerging Composers Award. Written for PLEXUS Collective and Deborah Cheetham. First performed in March 2019 at Storey Hall, RMIT University, Melbourne, VIC.

Bixler 225 (2018) for amplified ensemble*
(flute I, flute II, piano, wurlitzer, el. guitar, bass guitar and double bass)
Written for SPIRAL. First performed in June 2018 at SPIRAL Rupture at the Sydney Conservatorium of Music, NSW

Recognate (2018) for flute, violin and piano
Commissioned by Nimbus Trio. First performed in March 2018 at the Adelaide Fringe Festival at Elder Hall, Adelaide, SA

Refracted (2017) for pierrot ensemble
Written for the Atlantic Music Festival Contemporary Ensemble. First performed in July 2017 at Colby College, Maine, US. Conducted by Nicholas Koo.

When The Ice Melts… (2016) for bass clarinet in Bb, harp and percussion
First performed in May 2016 at Rejuvenation, at the Sydney Conservatorium of Music, NSW

String Quartet No. 1 “First” (2016) for string quartet
Commissioned by the Briar String Quartet. First performed in April 2016 at the Composer’s Concert, Richmond, VIC

Surge (2015) for flute, oboe and percussion
First performed in May 2015 at the Sydney Conservatorium of Music, NSW

Solo/Duo

retreat (2020) for oboe and organ
Commissioned by the Bowral Autumn Music Festival. First performed by Mikaela Sukkar (oboe) and Simon Nimenski (organ) in March 2021 at St Jude’s Church Bowral, NSW

sanddollar (2020) for solo vibraphone
Written for Matthew Stiens in Jan 2020 at the San Francisco Conservatory, CA

i’ll meet you there (2019) for bass trombone and piano
Commissioned by Rhys Oldham. First performed in November 2019 at the Sydney Conservatorium of Music, NSW

Tiny Little Specks (2018) for bass flute and electric guitar
Commissioned by Hannah Reardon-Smith and Liam Flenady of Kupka’s Piano. First performed in December 2018 at Migrations - Kupka’s Piano, Brisbane, QLD

When Words Fail (2018) for flute and pre-recorded electronics
Written for Keiko Murakami (JP/FR). First performed in December 2018 at the Madeira Residency, Ponta Do Sol, Madeira, PT

Pink Salt (2018) for solo piano
Commissioned by Huizi Zhang (US). First performed in September 2018 at Carnegie Hall Commissioning Project at Weill Recital Hall, Carnegie Hall, New York, NY

Dark Matter (2017) for solo double bass
Written for Will Hansen. First premiered in March 2017 at SPIRAL - concert 1 at The Red Rattler, Marrickville, NSW

The Music Box (2017) for solo vibraphone and electronics
Commissioned by Brad Gill of Sideband. First performed in April 2017 at Sideband: Continents at St Luke’s Anglican Church, Enmore, NSW

ii (2017) for solo small gong
Commissioned by Claire Edwardes. First performed in July 2017 at Backstage Music, at creativespace99, Darlinghurst, NSW

Every Contour (2016) for solo suspended cymbal
Written for Claire Edwardes

Fragments (2015) for solo violin
First performed in August 2018 at lost +sound pop + up i at San Telmo Studios, Chippendale, NSW